I have been enrolled in Digital Art and Animation Class this semester and just finished up. Honestly don't care what my grade is as I'm 66, this was an elective (they are all elective), and I felt I did well. The class used Adobe software products from image creation (Photoshop, Illustrator) to video post production (Premier Pro, Aftereffects). Oldest student after me was maybe 22. These kids had been using these products since middle school. I'm never embarassed to ask and fortunately my work station was next to a on the spectrum kid named Lennon who was a wizard.
"Lennon! How do I make it do this? No, tell me, don't try to do it". I got up to speed fairly quickly but nothing compared to what my young classmates were doing. It was humbling. Still, half the class dropped, so there's that.
I'm going to post a Youtube link of the Project 5, my final project. I also had to write a paper.
ART 241
Project 5
”Sometime After The End Of The World”
By John Kurman
This film
started from two pictures I made in January 2020 on Adobe Medium, near the
start of the pandemic lockdown. Work was physically closed and soon to be
online, I had little to do but go for long walks in my neighborhood. Most of
the time I would see dogwalkers and moms with baby strollers. At the time, the
seriousness of the COVID virus was becoming appreciated, and I found that I
treated my fellow walkers with some caution. One day, a fellow and I were
walking past each other, each eyeing the other for plague symptoms I suppose,
and we warily waved at each other. Mutual suspicion and maybe a mild rancor
hidden under a shallow amity was what I got from that encounter and decided to
document it as a sculpt (a VR file containing the 3D staged scene). When I got
home, I created the sculpt of the two robots and took pictures. So the short
film I created kind of took three years to make.
Could
19-year-old Johnny have made this short film? Not without a lot of explosions
and pow-pow, blammo, blown to smithereens sparkly special effects. The
symbolism (if any) would have had the subtlety of a sledge hammer strapped to
an atomic bomb. There is an advantage to age and experience which hopefully
makes this short film more of an elegiac narrative than action flick.
After trying
out short animations, I decided that a graphic novel format using sequences of
stills was more practical and appropriate for the tone and mood I wanted. I
created the still pictures from snapshots of scenes I made in Medium by Adobe,
a VR sculpting program that is an analog of clay manipulation to create 3D
objects. The two robot figures (and crows) were 3D assets that I either
obtained from asset libraries off the internet, or used a figurative kitbash method
from a posing program called Design Doll. The landscape was created in Medium,
but I deceptively used stagecraft, lighting, and scale to make basically two
pizza slices of barren hills and snowy plains combined and rearranged for the
illusion of a much larger landscape.
The only
animated portions (done in Adobe Illustrator) are the internal visor displays
of the robots, which, like Chekov’s gun, shown in the first act, used in the
third act. I wanted the visor display to convey robot status and intent when
things go mysteriously pear-shaped.
The plot is
straight forward and linear, two robots on patrol, each the last remnant of a
dead civilization, following their algorithms of guarding a now wasted terrain
after, I guess, the Last War. The mystery enters when a set of footprints
unknown to either party appears in the snow.
The first act
is Silverbot’s story, rather hum drum except for a brief wolf encounter (the
wolves categorized as harmless). Silverbot runs into Goldiebot, they exchange
perfunctory greetings, and the story is handed over to a Goldiebot second act.
Goldiebot surprises some crows which were feeding on remains of a wolf kill.
Quick cut back to Silverbot, who is surprised by a crow that causes it (him?)
to notice a set of tiny human(?) footprints that were not there before.
Cut back to
Goldiebot discovering a similar set of footprints. They both go on Red Alert,
hightail it on the tracks after the mystery intruders. When they confront each
other, they find the tiny footprints stop where they stand. Both apparently
have enough wits not to blast each other with their ridiculous laser cannons,
and they stand puzzled for a zoom out and fade.
Are they
robots or humans in armored suits? Hopefully, the impression is that they are
robots sophisticated enough for humanlike interaction and restraint. Two
armored humans or cyborgs would probably have blasted each other, which I
considered as an ending...
Silverbot is
unfortunately just a rip-off from the Cybermen from the TV series Doctor Who.
Goldiebot just kind of fell together as I was modifying the 3D asset manikin.
So there you go. About as much as I could do with my winter plague encounter made into a show.
Here is the video:
